Instead, much of the initial setup puts too much emphasis on Belle's father, and even when Belle does become a prominent factor, her arc is disappointingly thin. And while that tactic actually sounds like a great idea, this noble intention goes unfulfilled. In the included special features, the cast and director discuss their desire to place the narrative's focus squarely on Belle, cementing her as the story's clear protagonist. But when enemies discover The Beast's castle full of riches, the couple's blossoming romance is put in jeopardy. As the two get to know one another, Belle gradually learns of her jailor's tragic past and slowly warms up to him. The Beast (Vincent Cassel) vows to kill the man, but Belle selflessly takes his place, agreeing to stay with The Beast as his prisoner. After becoming lost in the forest, Belle's father stumbles upon an extravagant castle ruled by a ferocious beast. Sadly, the plot embellishments and visual spectacle on display only serve to mask an occasionally shallow and clunky script, resulting in a case where beauty truly is only skin deep… and there's not much underneath.īased on the timeless fairy tale, the story follows a kind and beautiful woman, Belle (Léa Seydoux), who is forced to move with her family to a small farmhouse in the countryside when her merchant father goes bankrupt. French director Christophe Gans' latest interpretation attempts to do just that. But with so many versions of the same core narrative flooding the medium, each new take has to offer a little something special of its own if it wants to stand out. Fairy tales are no strangers to the silver screen, and when it comes to classic stories like 'Beauty and the Beast,' it seems like we'll never be in short supply of a new adaptation.
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